Festivals of the Seasons

Extract from "Principles of Druidry" by Emma Restall Orr, (Thorsons, HarperCollins, 2000)
The Festivals of the Seasons

While the solar festivals are fixed points in the cycle of the year, the other four mark the opening of a season : the energy of the festival is evident throughout the three months that follow until the next one looms, altered by the solar turning point in the middle. Within Pagan Druidry, they are most commonly known by the Irish Gaelic names, Samhain, Imbolc, Beltane and Lughnasadh. They are also known as quarter days, lunar or fire festivals.

These festivals are not defined by precise cosmic events. They are defined by the cycle of nature herself, by the dance of the weather gods and spirits of place. They require us not to look to the heavens but to the earth. They are set within our soul, watching the leaves on the trees, the animals, insects, birds, feeling the shifting temperature, the changing light, within and around.

Samhain

Though the spelling of the Irish varies the pronunciation tends to stay the same, so Samhain is also seen as Samhuinn and Samain but is spoken as sow-inn. The meaning is probably ‘summer’s end’. The Welsh name is Calan Gaeaf, meaning winter calends.
For those who measure by the seasons, Samhain arrives with the first frost. Some plan their rite around the full moon of Scorpio that passes through Taurus. Those who work around a consistent date celebrate Samhain on 1 November, the rites beginning the evening before. The Pagan festival has been overlaid by both the Christian Hallowe’en and secular Guy Fawkes.

Medieval texts imply that Samhain was the most important festival in Ireland, a time when laws were made, kings instated. Yet also it was a time of madness and danger when monsters caused havoc and faery women bewitched young men, enchanting them away. The Yellow Book of Lecan refers to Samhain as ‘the feast of Mongfind’, she being a legendary witch queen said to have married an early high king of Tara, implying that she was an incarnation of the spirit of the land.

Traditionally at Samhain, livestock that would not last the winter were slaughtered with ritual thanks. Meat was cured, salted, put aside, and the tables of the feast laden with bloodcake and offal which could not be preserved, together with the black berries and fruit of late autumn.

Samhain marks the end of summer and a cycle of growth. It is a time of sacrifice.
Ahead is the winter and decisions need to be made as to what we will carry through the long cold months, what is redundant, what will not survive, what must be protected and nurtured as the source of next year’s wealth.

The festival rite is a process of letting go, beginning with an acknowledgement of what we have gained, how we have changed, who we have become, followed by a period of mourning, knowing what we must release - and effectively letting go. The past is gone. At this time, those who have died during the year are honoured and gifts are given with love and thanks, perhaps candles being lit and set to drift on water symbolizing the journey travelled by the dead over the ocean to the place of the setting sun. That journey between the worlds, between life and death, is at Samhain most easily made. Our ancestors who would join the rite in peace are invited to share and the feast is blessed and offered to the earth, the spirits and all in the circle.

Then is the darkness of winter welcomed in and a period of release declared when chaos is accepted. From this tradition trick o’ treating was reintroduced. Bonfires are lit, the summer king burnt, fireworks set off. And the feasting begins.

Imbolc

Imbolc or Imbolg, by the calendar, is celebrated on 2 February. Pronounced im-olk, the meaning is thought to refer to the ewes’ milk which flows as lambs are born. Some mark the time of Imbolc by the birth of the first lambs, while others look for the first snowdrops. To some it is the festival of the full moon of Aquarius which passes before the constellation of Leo.

In Welsh the festival is known as Gwyl Fair, the feast of Mary, or the newer alternative Gwyl Forwyn, the feast of the virgin, though some Druids, even the Pagan, use the Christian term Candlemas. In Ireland and parts of Scotland it is the festival of Brigit, Bride or Brighid, an ancient goddess whose worship was transferred to a Christian saint.

It is the first festival of spring. The sun child born in the depths of winter lifts his face and the earth is touched with the first rays of warmth. The fire of Imbolc is the tender light of new life that flickers in the candles of the rite, the forge of the metal-working goddess who cleanses and re-forms our souls ready for the year ahead, the fire of poetic inspiration.

For many Druids it is the only one of the festivals entirely focused on the feminine deity and the rite is often powerfully gentle, woven with poetry, the circle veiled in white expressing the innocence of the child. We honour our mothers, and our mothers’ mothers, with offerings of thanks to all who have given us life. Plans are shared, aspirations and dreams, still abstract and wrapped in hope. White candles, planted in a cauldron of earth or water (symbolizing the body of the goddess or the waters of the womb), are blessed and lit, infused with our love, devotion, dreams and prayers.

Beltane

The spelling of this festival varies from Belteinne to Bealtine, the most common being Beltane which is closest to its pronunciation. The word can be translated as the bright or fortunate fire and some make the connection with the Irish Balor, the Gaulish god Belenus and the Welsh Beli Mawr, all ancestral deities associated with light and fire. It is the first festival of summer, celebrated by the calendar on 1 May, the rites beginning the previous evening, or on the full moon of Taurus as it passes through Scorpio. Those who mark their quarter days by the flows of nature celebrate with the first pinky white blossoms of the hawthorn tree, also known as the may.

In Welsh it is Calan Mai, the calends of May, and in Welsh medieval literature many important events take place at Calan Mai, the date featuring in the same way that Samhain does in the Irish. Demons stole new-born children, dragons fought each other and the gates to the faery realm were dangerously open.

In the Irish literature we are told that the old gods, the Tuatha de Danaan, arrived in Ireland at Beltane. Cormac’s Glossary (of around 900 CE) relates that all fires were extinguished at Beltane to be rekindled from those lit by Druids who chanted spells over them, infusing them with magical properties. Cattle were driven between twin fires on hilltops as a charm against disease before being led to their summer pastures.

The Beltane rite in modern Druidry focuses on fertility : for those wanting children, for the land farmed and wild, for our own souls and dreams. The earth has come alive with energy bright and strong, the air is humming, filled with the scent of flowers, the forest green once more. The twin fires of the rite express the duality of nature, the tension of opposites craving union, the source of creativity.

The young sun god and the spring maiden have grown to sexual maturity and the ritual is the dance of their coming together. She is now the May queen, with a crown of hawthorn, and he comes to her as the lord of the wildwood, the green man dressed in leaves or the sun god himself. Their dance is infectious and they leap the fires, blessing them with fertility, creativity and good fortune, encouraging all who have gathered to leap the flames and be blessed.

There are many folk customs around Beltane, such as washing one’s face with dew before dawn to bring beauty, picking certain herbs said to inspire attraction, blessing the bees who give us mead, the dance around the May pole, the disappearing of couples into the forest and fields to make love in the moonlight. It is a time of music and dance, youthful energy and freedom.

Lughnasadh

Lughnasadh, Lughnasad or Lugnasa, pronounced loo-nass-ah, is the festival of the god Lugh. In medieval Irish texts it is also referred to as Bron Trogain or the first day of the Trogain month, and is now commonly known as Lammas, the Saxon word meaning loaf mass, or by the Welsh term Gwyl Awst, meaning the feast of August. The third festival of summer, it is the celebration of the first harvest of our local staple grain, usually wheat or barley. Some hold their rites on the full moon of Leo as it passes through Aquarius. By the calendar Lughnasadh is 1 August.

However the festival was celebrated, and it appears to have differed across Britain and Ireland, it is always the celebration of the first fruits of the harvest. There were fairs (the most documented being at Tailtin/Teltown in Ireland), the making of straw figures, the dressing or decoration of wells with prayers, horse races and other games. Those in search of work would be hired for the year, rents and other legal disputes would be settled, and marriages made.

The season of growth since Beltane has come to its end and we enter the season of reaping. Myths are often played out during the Lughnasadh rites, where the corn king offers himself up to be sacrificed and is reborn as the loaf of newly baked bread. The grain is also taken to make ale, the straw used for bedding through the winter to come. The summer is waning. The power of the sun god has been given into the yellow corn.

The sacrifice of the king was at one time very real, as blood was offered back to the gods who have given us the grain. The focus of the rite now is still this weave of exuberant life and release to death. It is both a celebration of what we have sown and nurtured that is now come to fruition, and an acknowledgement of its dying as it dries in the heat of summer, giving itself up to our needs. The hard work of harvesting must be done, with acceptance of our responsibility for gathering it in. After the grain the dark fruits and berries will ripen, bringing an altogether different energy to the feasts to come.

Lughnasadh is often the biggest of the festivals, with people travelling from far and wide to share the joys of their harvest, bringing music and food, trading crafts and stories.

One of the festivals will be coming up in the next month or so from the time of your reading this chapter. Which one is it? What season are we in? What is happening to the energy of the land and how does that relate to the energy of your body and soul? How would you like to celebrate the coming festival?

 

Also check: Festivals of the Sun